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Sound Recording Technology (B.M.)

Setnor School of Music

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The sound recording technology program provides technologically inclined musicians with the practical and theoretical background needed for success in today’s music production industry. The program provides a multidisciplinary bachelor of music (B.M.) degree with coursework in music, acoustics, sound production, new media design, computer science, and mathematics.

Admission + Audition Requirements

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Particular emphasis is placed on audio engineering as a technical-artistic field, recognizing that audio professionals often serve as the interface connecting the technical and artistic personnel in the music industry.

The program provides extensive project experience in state-of-the art studios where you will record, produce, mix, and master sound recordings. You also develop technical and managerial skills that are essential to the profession. A high level of cross-disciplinary collaboration is encouraged, with exposure to production techniques for many musical styles and media deliverables. You graduate with a portfolio of work that includes classical, world, popular, and jazz styles delivered on traditional formats alongside such new industry standards as web-based media and video games.

While studying in the sound recording technology program, students may choose a course of primary applied study on their instrument or voice in either the classical or jazz/commercial music tradition.

Possible careers include work as a recording engineer, producer, programmer, musician, and technical engineer. The program also provides a foundation for graduate work in engineering and computer science.

Belfer
Rare original Neve 1073’s and Pultecs
Belfer
Belfer lab
Belfer lab
Students in the Belfer lab
Students in the Belfer Lab

See the equipment and facilities are available to sound recording technology students at Syracuse University.

Full list of Belfer Equipment
  • Solid State Logic AWS-924 SuperAnalogue Mixing Console with SSL Delta and DAW Control
  • Pro Tools HDX-4 Ultimate, Ableton Live, and Logic Pro X with 128 channels of analog I/O
  • Benchmark Media Systems ADC 16 high resolution A/D conversion – 48 channels
  • Plug ins by Waves, Solid State Logic, FabFilter, Valhalla, Sound Toys, Plug in Alliance, API, Oeksound, Native Instruments, iZotope, Cycling 74, Avid, Eventide, and Celemony.
  • PMC twotwo.8 5:2 surround sound monitoring with twotwo.2 subwoofers
  • Neve 1073 microphone preamplifiers/equalizers (16 channels)
  • Millennia Media HV-3R remote-controlled microphone preamplifiers (16 channels)
  • API 512c microphone preamplifiers
  • Avalon VT-737SP microphone preamplifier
  • Millennia SST-1 Origin – Twin Topology Channel Strip
  • Manley Labs VOXBOX Combo Tube Channel Strip
  • Universal Audio LA-610 Channel Strip
  • Benchmark MPS-400 Microphone Preamplifier
  • Avalon U5 Mono Instrument and DI Preamplifiers
  • Pultec EQH-2 tube equalizers
  • Pultec MEQ-5 tube equalizers
  • Pultec HLF-3C equalizers
  • Neve 2264A compressor/limiters
  • Teletronix LA-2A compressor/limiters
  • Universal Audio 1176LN compressor/limiters
  • Empirical Labs Distressors
  • TUBE-TECH CL1B – Single Channel Opto-Cell Tube Compressor
  • Manley Labs Stereo Variable MU Limiter Compressor
  • Manley Labs Massive Passive Stereo Tube EQ
  • Summit Audio DCL-200 – Compressor/Limiter
  • dbx 160A compressor/limiters
  • dbx 166 compressor/limiters
  • dbx 1066 compressor/limiters
  • Chandler Germanium Compressors (Matched Pair)
  • SPL Iron Mastering Compressor
  • TC Electronic System 6000 MK II x2
  • Rupert Neve Designs Portico 5042 2-Channel Tape Emulators
  • Lisson Grove AR-1 Tube Compressor
  • SSL Stereo Bus Compressor Module
  • Solid State Logic E-Series Dynamics Modules
  • Solid State Logic SSL E Series EQ Modules
  • API 560 graphic EQ’s
  • API 550b EQ’s
  • Chandler Little Devil 500-Series Compressors
  • Rupert Neve Designs 551 Inductor EQ’s
  • Lindell Audio 7X-500 – FET Style Compressors
  • Radial Engineering JDX 500 Reactor Speaker Simulator Module
  • SPL TDx 500 Series Transient Designer Module
  • Rupert Neve Designs Portico 543 – Compressor/Limiters
  • Lexicon PCM-91 reverb processor
  • Fairchild 658 “Reverbatron” spring reverb system

Curriculum

View official major requirements.


Audio Engineering Society

Syracuse University has its own student chapter of the Audio Engineering Society (AES) that meets monthly and creates opportunities for education and advancement in the field of audio engineering. The chapter hosts many activities, including lectures by prominent guest speakers, industry-related tours and experiences, and annual trips to the AES convention held in Los Angeles and New York City. To join AES@SU, contact James S. Abbott, SU student chapter faculty advisor.


Performance Honors

The performance honors program is intended for Setnor School of Music students in the B.S. music and B.M. composition, music education, music industry and sound recording technologydegree programs who wish to maintain a level of performance at or near that required of students in one of the performance majors. The program’s purpose is to give tangible curricular and moral support to those students who see themselves as performing musicians first and foremost.

Students are eligible to apply for the program at the end of their sophomore year. Students accepted into the program take an hour of applied instrumental or vocal instruction per week and give both a junior and senior recital commensurate with the requirements for degree recitals in the performance majors. Official recognition of program participation and completion appears on student transcripts but does not appear on the diploma.

Program Faculty

  • James Abbott, Program Coordinator
  • Jim Elenteny
  • Thomas James
  • Kevin Muldoon

Setnor School of Music

  • Music (B.S.)
  • Composition (B.M.)
  • Music Education (B.M.)
  • Performance (B.M.)
  • Music Industry (B.M., B.M./MBA)
  • Audio Arts (M.A.)
  • Bandier Music Business (M.S.)
  • Composition (M.M.)
  • Conducting (M.M.)
  • Music Education (M.M./M.S.)
  • Performance (M.M.)
  • Voice Pedagogy (M.M.)
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