Julia Ebner

Setnor School of Music

Instructor, Applied Music & Performance (Voice)

Julia Ebner

301 Crouse College
Syracuse, NY 13244-1010

Julia Ebner is an active classical singer who has been praised for her “vocally and dramatically superb,” performances.

Ms. Ebner’s operatic credits include the title roles in Romeo et Juliette, L’incoronazione di  Poppea, The Merry Widow, Hansel and Gretel and Princess Ida. She has also appeared as Donna Anna in Don Giovanni, Marguerite in  Faust, Violetta in La Traviata, Hodel in Fiddler on the Roof, and Mrs. Hayes in Susannah, Lucy in The Threepenny Opera, Olga in La  Grand-Duchesse de Gérolstein, Stella in A Streetcar Named Desire, Giulietta in I Capuleti e I Montecchi Musetta in La Boheme, Atalanta in Serse Belinda in Dido and Aeneas, Gianetta in The Gondoliers,  Madeline/Isabelle in The Face on the Barroom Floor, Micaela and Frasquita in Carmen and The First Lady  and Pamina in Die Zauberflöte, Miss Silverpeal in The Impresario, Amitta in Der Geduldige Socrate, Mozart and Donna Anna in The  Classical Style, First Wood Sprite in Rusalka, and Monica in The Medium.   Ms. Ebner originated the role of Maud in Pushed Aside: Reclaiming GageShe has taken the stage for companies including The Santa Fe Opera, The Florida Grand Opera, Opera  North, Virginia Opera, Winter Opera St. Louis, Opera San Antonio, Ash Lawn Opera, St. Petersburg Opera,  Bel Cantanti Opera, Green Mountain Opera Festival, Syracuse Opera,  Opera in the Heights, The Tri-Cities Opera, Amherst Early Music Festival, Oswego Opera Theater, Chelsea Opera and The  Charleston Chamber Opera. Ms. Ebner has also had the honor of singing in the chorus of the Metropolitan  Opera for productions of Fidelio, Otello, and Turandot. 

A versatile concert performer as well, Ms. Ebner’s credits include Beethoven’s Ninth Symphony, Handel’s Messiah, Mahler’s Rückert Lieder and Bach’s  Magnificat with Symphoria.  She has also sung as the soloist for Vaughan Williams’s A Sea Symphony and Dona Nobis  Pacem, and Mendelssohn’s Elijah with Symphoria at Hamilton College., Haydn's Last Seven Words of Christ in DeWitt, New York, Mozart’s Requiem in Binghamton, New York, and Haydn's Missa Brevis in F at  Syracuse University. She has also sung the soprano solos in Mozart's Missa Brevis in F and Vesperae  Solennes de Confessore with the Syracuse Masterworks Chorale. Recognized for her talent for both early music and new music, she has frequently performed as the soprano soloist for the Binghamton Baroque Ensemble as well as The Society for New Music.   


  • M.M., Binghamton University
  • B.M., Syracuse University